Tuesday, November 15, 2022

Blue Hexagons Quilt πŸ’™



Three years ago (November 2019) I began thread basting some favourite fabrics onto 11/4" hexagons, a wonderfully relaxing way to play with fabric. Soon I had quite a collection, and despite experimenting on several occasions with various arrangements, I couldn't settle on a design which felt right. My beautiful hexies were relegated to a container for safe keeping while I worked on other projects.


Early June 2020 Rita Hodge of Red Pepper Quilts shared her finished Hexagon Stash Buster Quilt in Blues. It looked so good - and I was instantly inspired to start something similar with the blue hexies I already basted. Searching through my fabric collection I soon discovered I had more blues than any other colour, which was a bonus for a quilt like this.




I quickly put together a compact kit to keep me basting and stitching. Following the same technique as Rita, I was constructing interlocking blocks of 16 hexies each. I  use a traditional hand whip stitch when joining my pieces together on an English Paper Piecing (EPP) like this.





I worked on these blocks intermittently, with added enthusiasm following the addition of any new fabrics. However I found the random nature of the blocks not so enticing, so instead I more often gravitating to my other sewing projects.



Then in February this year Rita shared her version of the Treehouse Hexagon Quilt Project, a quilt designed by Emma of Treehouse Textiles. This design has a wonderful balance of structure and freedom. Varying slightly from Emma's original design, I reimagined my blue hexagons quilt and have thoroughly enjoyed stitching many blocks, each with their own differences amongst a basic structural criteria.



A couple of times I thought I had completed all blocks needed, however on closer inspection the colour balance needed more aqua. Following that adjustment, I conceded that it really needed to be longer to become a useful bed quilt for either a full/double bed or a queen size. Two more rows of blocks were created.



Then it was time to create the lighter coloured half-sized blocks to give provide pleasing edges topped bottom.



Now it was time to finish sewing the blocks together and pop the papers out from the back.





For the batting/wadding I selected Quilters Dream Cotton batting in white. It is a lightweight batting, making it more suitable for our warmer climate and less bulky to wash. It is the only cotton batting I have found which is truly white, something I was particularly looking for to support the white base of this quilt. 



After a long-time debate with myself about how (by machine or by hand) I should quilt this large quilt, especially as it was spring by this time, I decided to hand quilt with DMC Cebelia 'crochet cotton' 30 thickness in white (B5200). This is the same thread I chose to quilt my most recent finish, Fresh flowers Quilt. By outline quilting each centre, hexie flower and around each block, it has highlighted the quilt design and created a subtle texture. A mostly cool spring has made the quilting a joy.









And now finally, it is finished and ready to be used on a bed. I had no idea my initial hexies would end up looking like this - and I am delighted! 


Quilt Details

Blue Hexagons Quilt

Design eventually based on Treehouse Textiles Hexagon Quilt Project 

90" x 77"

228cm x 195cm

Tentatively started November 2019

Completed November 13th 2022

1 1/4"hexagon papers

Thread basted

Quilters Dream Request100% Cotton Batting in White - queen size

Hand quilted with DMC Cebelia 'crochet cotton' #30 in white (B5200) 


Saturday, November 13, 2021

Fresh Fields Quilt

 

Motivated by the desire for a portable holiday project, and a hope for better times ahead, I settled on a one inch hexagon English Paper Piecing (EPP) quilt. This was December 2013, mid-summer. The cool colour palette was refreshing in the heat and inspired by the paint scheme of a home which has since been demolished to make way for the new Grafton Bridge.


Each summer since then, I have gravitated to this long term project - it was easy to pick up again and always seemed appealing on long hot days. With no plans for the finished size, I kept stitching and adding new fabrics to the mix.



Eventually it was time to start stitching hexie flowers into trios, which fitted perfectly into plastic pastry storer containers. In time, they were sewn into rows, which could be safely kept wrapped around the cardboard from empty fabric bolts.





It seemed to be the never-ending quilt, and over the years since 2013, our older five children have all left home and my husband's health has had many monumental twists and turns. In 2018 life brought major changes and we are now very happily located in a delightful coastal area. In many ways, the name of this quilt has been prophetic, as we now find ourselves in fresh and pleasant fields in many respects.

After completing my Sunshiny Day Quilt in August I decided it was time to focus on this quilt and bring it to completion. I set a deadline of trying to have it ready to use this summer. It took a lot of determination to finally piece it together, filling in the gaps and edges, removing and relocating some hexie flowers in the process, to create a cohesive, usable rectangle. With the addition of an outer border, it would become perfect for our queen size bed.


For batting/wadding I chose Quilters Dream 100% cotton in white. The white batting keeps the cool white/blue tones of the quilt top true to colour. Being a thin cotton wadding, it would be easy to hand quilt and create the perfect weight for a summer quilt. 

Following much mental debating, I decided it deserved to be hand quilted, hoping to make considerable progress before the heat of summer made hand quilting unpleasant. It took less than one ball of DMC Cebelia #30 in white for the quilting. Primarily marketed as a crochet cotton, it is smooth, shiny and most importantly, very strong. When I had quilted the EPP centre of the quilt, I trimmed the edges and attached the binding, enabling me to finish the border quilting lines exactly at the binding line. It also made the large quilt much more conducive to handling.



Yesterday I finished the hand quilting. This brings nine summers of casual stitching to a satisfying finale. Fresh Fields now looks delightfully at home on our bed, ready to serve us well for many summers ahead.




Quilt Details

Fresh Fields Quilt (my own design)

90" x 86"

228cm x 218cm

Started December 2013

Completed November 2021

1" hexagon papers

Sewline glue pen for basting

Quilters Dream Request 100% Cotton Batting in White - queen size

Cebelia #30 DMC cotton in white used for hand quilting


Friday, August 13, 2021

Sunshiny Day Quilt


It's always a great sense of accomplishment when you finish a quilt, often tinged with a little sadness knowing the journey is over. I definitely feel this way about my Sunshiny Day Quilt which was completed yesterday.

I'm incredibly grateful Jodi (Tales of Cloth) approached me about being one of her volunteers to stitch some blocks prior to the release of this quilt, her club/quilt-along for this year. I'm also pleased she is happy for people to add their own twist to her designs. The original pattern has 48 blocks and no borders. As you can see, mine has only 25 blocks and a fun border.


This is my first ever quilt with circles, yet there are NO curves to stitch! Each block is hand stitched using English Paper Piecing (EPP), then appliquΓ©d by hand onto a background square, with the squares later being machine sewn into a quilt top. A wonderful combination - all the fun of creating EPP blocks, without the arduous task of stitching them together. Not only that, but this quilt includes three slightly different circle patterns - Dawn, Noon and Dusk, allowing for even more possibilities.




I chose fabrics from my collection which met my 'sunshiny' criteria, aiming for a quilt to give a little sunshine every time I look at it. Early in the year I settled on a border option, so I made a start and cut fabrics for these 2" eight point diamonds and 2" half-square triangles. The border stitching was perfect for those times when I needed a more portable option and didn't want to be making lots of fabric choices.





Lustrous silk thread in sapphire blue (Gutermann R 753 silk, colour 960) was my choice for hand quilting around each circle and little square, as well as one internal 'star' row of stitching inside each circle block. At this point I decided the centres of the Dawn and Noon blocks needed some definition. I used any colour matching fine thread, making tiny stitches along the seam line to be 'invisible'.




Eventually I settled on Perle 8 cotton in a deeper golden shade (DMC 741) to hand quilt the borders. This is a thicker thread than I usually use (often a Sulky 12 wt) however I thoroughly enjoyed the stitching and the effect. I can see more Perle 8 in my future!

 





I do believe Sunshiny Day is my favourite quilt ever - and my husband's also. Another great design by Jodi Godfrey of Tales of Cloth. Remember, her original varies from this - it has 48 blocks and no border. My background squares are slightly larger too. Jodi has mentioned the possibility of releasing her Sunshiny Day Quilt as a kit/pattern in late November this year - I would highly recommend it.

PS If you look closely you will see the same fabric in my centre block used for the mini corner circles and the backing. You may also notice a little 'cross' of four sunflower blocks and other minor features to keep one looking 😊🌻🌞

Quilt Details

Sunshiny Day Quilt 
Designed by Jodi Godfrey - with my alterations as mentioned above
54"/137cm Square
Started November 2020
Completed August 2021
Legacy natural cotton wadding with scrim
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